He fuses electronic tropes with Indian influences ranging from Tamil to Punjabi, illustrating the hybrid ingenuity of RAAJ as an apex mixmaster.
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From live-recorded ‘car sets’ down the highways of Singapore to ‘toilet sets’ crammed in a home bathroom, are Four Teh’s antics gimmick or genius?
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For the first time, we have a 15-Min Flash Mix that focuses primarily on r&b and hip-hop songs, and it’s also a bountiful showcase of Singaporean talent.
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All of this takes place at The N3st, a speculative environment at T:>Works that encourages audience participation and contributions throughout the show.
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juhvunnn exhibits skills that show a burgeoning maturity with its brave diversity and fluid seamlessness. Don’t underestimate the bedroom DJ.
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It comes designed with chill-out stages, tea huts and mindfulness workshops with the cohesive energy of a miniature festival you’d wanna escape into.
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What Lilian and Sivanesh have written in their Sivilian Affairs story is a love letter to electronic music and its power to bring us together past languages and map lines.
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With a lineup of 16 DJs and 11 performers from different collectives, PeaceOut Festival hopes to give Peace Centre a fitting curtain call as it rides off into the sunset.
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Developing a platform for genres like rawstyle, Frenchcore, gabber and now techno, Apparatus has all the tools it needs to go hard in 2024.
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We’re slinging some bass in your face with the mixing prowess of Krstn, a proponent of UK bass music that wants to rumble more in a scene dominated by 4/4.
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With an area of 10,000 square feet, HighHouse is both the biggest and tallest (at 282 metres) nightlife concept to open since the pandemic.
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This crew of bedroom DJs embrace the label and wear it on their sleeves, transforming their predicament from obstructive to constructive.
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If this is what we can hope to expect from the next wave of DJs, the kids are definitely alright. Vix goes for the jugular with this techno combustible.
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The reputable nightlife brand gives nods to nostalgia in part one of its 20th year revelry, featuring an old-school lineup of former resident DJs from Zouk.
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Music holds sway in Naga House’s imprint and that’s why it eventually launched NAGA(SOUNDS), gradually but noticeably doing its bit to sustain the music scene.
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The industry veteran produced “Dear God” in three days after recovering from his battle with cancer, which was released on Solarstone’s global record label.
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We’re going to the techno shire for episode 39, as GTHB showcases a wide range of sounds that swings back and forth in intensity like a pendulum.
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How ‘campy’ do you like your raves? Co-conceptualised by Ice Cream Sundays, Sunda Festival is a two-day jamboree with activities for all ages.
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EJ Missy’s contributions are very much part of our scene’s history. For this mix, she cooks up a simmering cauldron of intoxicating grooves, potent to the very last beat.
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While most post-pandemic DJs have experienced a steady trajectory, James Selvas’ successes have been soaring like a fighter jet.
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