The aftermath of Phase 2 (HA) is dragging along new circumstances of uncertainty that aren’t doing favours for an already damaged sector of Singapore’s music scene.
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Dreaming Life vividly introduces the serene reverie of Kekko, flowing like a kaleidoscopic, psychedelic dream from start to finish.
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“TETRIS” is a piece where she openly embraces her bizarre quirks that grind against the norm, fleeing from generic behaviour and cookie-cutter expectations.
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This is an Electrico riding on a new wave of untapped energy. The industry patriots share more about their return and their new EP, Left of the Century, that also marks their 25th anniversary.
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The mirage of desire often plays tricks on the mind, especially in the capricious territory of love. Dnl. and Axel Brizzy wax lyrical about it on their new single, “Fantasy”.
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Balmoral is the culmination of MZA’s flashback excavation, a debut EP of electronic instrumentals comprising trip-hop, deep house and drum & bass.
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The Ice Cream Sundays resident’s first official release translates his imagination and influences into dystopian musical fantasies.
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Ratmir Johnson is an identity that wraps the hip-hop artiste’s expressions in steel, giving him the muscle and gusto to make art as he sees fit.
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This Isn’t Where I Want To Be is an intoxicating dream-pop sojourn that soothes, providing an escape that’s hard to snap back from.
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Whether it’s through her personal anecdotes or bold musical leaps, Brielle Kaga is an indie-pop singer-songwriter who will capture your attention.
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Pumping out worldly party vibes in Orchard Towers since 1991, the prominent establishment accomplished a feat most local clubs couldn't – but was robbed of the opportunity.
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Announced on 14 May 2021, the city has tumbled into what’s called “Phase 2 (Heightened Alert)”, and its effect on live gigs is as ominous as it sounds.
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Despite coming from reputable past projects that include Giants Must Fall, wyd:syd and enec.e, the members of FERS unleash a dreamy outfit that sounds brand new.
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The rapping human vegetable has peeled off another layer from his sprouting repertoire, teaming up with Beansprouts and Fauxe on production duties for his latest release.
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Toying with loose wordplay and capricious phonetical rhythms, yams governs his own flow much like the freedom of a spoken word poet, full of conviction and magnetism.
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From hip-hop to hardstyle, Ministry of DJs is embracing all styles and personalities with its live-stream programme powered by XR Stages. Its founder, GemStarr, shares the evolution of the school since 2013.
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Smooth like clockwork, the undeniable rapport between the beatmaker and rapper has unleashed tracks that brandish old-school hues and stirring lyrical poetry.
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Much like the chemistry between the two drum & bass stalwarts, this is a record full of nuance and magical moments, including guest vocals from Singapore’s own Weish.
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Matty Wainwright from The DJ Dispensary talks about the government’s gripe with DJ-ing, and how he managed to find a workaround to alleviate their concerns.
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Titled “Don’t Feel The Bass”, the first single starts out considerably heavier than Halal Sol’s past forays, before lunging into deeper, Detroitian territory that bears his signature.
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